Olivia de Havilland, The Heiress

as CATHERINE SLOPER

WON: Academy Award - Best Actress | New York Film Critics Circle - Best Actress | Golden Globe - Best Actress

And so, after a strenuous two year journey perusing through Oscar's finest of the 1940's, we end the road with William Wyler's The Heiress. I saved this one for last for obvious reasons: film quality notwithstanding, Olivia de Havilland's work in the film is often regarded as the sole saving grace for an embarrassingly desolate slate of Best Actress options in 1949. I was worried that she might not live up to the praise seemingly everyone gives her, and perhaps this might have rang a tiny bit true, but the fact is: The Heiress is a superb film, and its lead actress delivers a superb performance.

Jeanne Crain, Pinky

as PATRICIA "PINKY" JOHNSON

From what I've gathered, it doesn't seem as though Jeanne Crain's work in Pinky is well-liked by Oscar enthusiasts such as myself. At face value, the film welcomes loads of criticism for its controversial casting of a very white Crain as a black woman who can "pass" as white. However, I found Pinky to be quite a compelling film, if not a little outmoded and awkward. Crain, as I found out, didn't end up being as I've been led on to believe.

Loretta Young, Come to the Stable

as SISTER MARGARET

Two nuns hope to build a children's hospital. That is the concept of Come to the Stable, and that is basically everything I don't want to see when I'm watching a film. But I figured I'd put aside my stubborn prejudices, give this one a chance, and come into the film with an open mind. So I watched, and watched a little more, and as was the case with My Foolish Heart, I found myself growing aggressively disinterested by both film and its lead actress.

Deborah Kerr, Edward, My Son

as EVELYN BOULT

Before she'd go into the annals of Academy Award history as one of those respected actors who're frequently-nominated-but-never-actually-won-an-Oscar, Deborah Kerr made her first appearance on the Oscar Best Actress shortlist for Edward, My Son. And boy, what role could be more appropriate to mark her mainstream Hollywood debut than that of the long-suffering wife?

Susan Hayward, My Foolish Heart

as ELOISE WINTERS

By now it's been a few weeks since I first watched My Foolish Heart, and for some odd reason I've really struggled trying to find the words to describe my feelings towards it. I elected to watch it first amongst 1949's batch of Best Actress contenders because I didn't think I'd like it and wanted to get it over with. My suspicion proved to be correct -- twas a severely dull film, an exercise to maintain engagement. So why then, has it been so tough to summarize how I felt about it?