Eleanor Parker, Detective Story

Consecutive Oscar nominations are indicative that one is in the Academy's good graces at a specific moment in time. And at first blush, it makes sense why Eleanor Parker would receive a nomination for Detective Story - hot off the success and recognition of Caged, she play Oscar's favorite archetype (the supportive, sort-of long-suffering wife) in a prestige Warner Brothers drama that made a lot of money at the box office. While I don't mean to discredit Parker's work in the role - I do think that this is an afterglow nomination. Had she not been nominated the year prior, I imagine it'd have been tougher for her to snatch up a nomination based on the merit alone of this specific role.

Fredric March, Death of a Salesman

Won: Golden Globe (Drama) - Best Actor

20 years after receiving his first Academy Award-nominated performance in the film adaptation of The Royal Family, it is apt that Fredric March would receive his last under similar circumstances. This time, he closes out his Oscar run leading a stage-to-film adaptation of one of the greatest American plays, taking on a part that any consummate, veteran actor would desire. It is interesting then that both actor and film have been forgotten over time; one does not usually think of March when they harken back to this era of film history, and, Salesman, like The Glass Menagerie, is one of those quintessential plays that did not - and likely will not ever - result in a de-facto screen translation.

Arthur Kennedy, Bright Victory

Won: New York Film Critics Circle - Best Actor

Take a look at Arthur Kennedy's career from 1949 through the 1950s - a Tony Award for Best Supporting Actor, five(!!) Academy Award nominations, and inaugural stage performances in The Crucible and The Price, among other things - and you'd think he'd have been set to become a much more regarded actor in the collective memory than he is today. That said: in reviewing his sole Oscar nomination in the lead acting category (a performance which also won him the Best Actor prize via the New York Film Critics), I was expecting a sort of dynamism that might complement these impressive highlights in his resume. Alas...

Jane Wyman, The Blue Veil

Won: Golden Globe Award - Best Actress in a Drama

Having first watched The Blue Veil years ago, I thought it was necessary to give the picture a revisit, just in case a few years of maturity might have softened some of my initial pointed views. Sitting through it all again, I suppose The Blue Veil as a whole does come off as more bearable. However, my overall sentiment towards Jane Wyman's work and the limitations of her role remains unchanged.

1951: 24th Academy Awards