August 23, 2016

Jeanne Crain, Pinky

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From what I've gathered, it doesn't seem as though Jeanne Crain's work in Pinky is well-liked by Oscar enthusiasts such as myself. At face value, the film welcomes loads of criticism for its controversial casting of a very white Crain as a black woman who can "pass" as white. However, I found Pinky to be quite a compelling film, if not a little outmoded and awkward. Crain, as I found out, didn't end up being as I've been led on to believe.

August 22, 2016

Loretta Young, Come to the Stable

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Two nuns hope to build a children's hospital. That is the concept of Come to the Stable, and that is basically everything I don't want to see when I'm watching a film. But I figured I'd put aside my stubborn prejudices, give this one a chance, and come into the film with an open mind. So I watched, and watched a little more, and as was the case with My Foolish Heart, I found myself growing aggressively disinterested by both film and its lead actress.

August 21, 2016

Deborah Kerr, Edward, My Son

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Before she'd go into the annals of Academy Award history as one of those respected actors who're frequently-nominated-but-never-actually-won-an-Oscar, Deborah Kerr made her first appearance on the Oscar Best Actress shortlist for Edward, My Son. And boy, what role could be more appropriate to mark her mainstream Hollywood debut than that of the long-suffering wife?

August 20, 2016

Susan Hayward, My Foolish Heart

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By now it's been a few weeks since I first watched My Foolish Heart, and for some odd reason I've really struggled trying to find the words to describe my feelings towards it. I elected to watch it first amongst 1949's batch of Best Actress contenders because I didn't think I'd like it and wanted to get it over with. My suspicion proved to be correct -- twas a severely dull film, an exercise to maintain engagement. So why then, has it been so tough to summarize how I felt about it?

July 31, 2016

Richard Todd, The Hasty Heart

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I've watched a lot of duds. I've seen the same old fare repurposed ever-so-slightly through the subsequent years. So at face value, The Hasty Heart might seem like just your average forgotten 1940's wartime drama, and to a certain extent it very well is. It's fairly conventional filmmaking that can hit up some hokey avenues at times. But every so often, I bump into the occasional needle-in-the-haystack, coming into a film without any expectations and leaving surprised and impressed. Richard Todd is the reason why I sought out this film, and he does not disappoint.

July 30, 2016

Broderick Crawford, All the King's Men

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Won: Academy Award - Best Actor | New York Film Critics Circle - Best Actor (1949) | Golden Globe - Best Actor

I was surprised to find that All the King’s Men features two lead characters. The intertwined storylines between Jack Burden and Willie Stark make the picture a less fluid and less compelling viewing experience than it could have been had the film primarily keyed in on the Stark character, but it’s obvious how Broderick Crawford reigned in everyone’s attention here. His is a compelling albeit slightly unvaried performance.