as PROFESSOR HENRY HIGGINS
By now, there've been two types of performances I've seen from Leslie Howard. That of the thankless supporting character (re: A Free Soul, Gone with the Wind) where the focus of the film is geared toward the leads and thus doesn't have much room for Howard to shine, and that of the thankless lead part (re: Of Human Bondage, Romeo and Juliet) where Howard comes off as stiff and dull because the films themselves are stiff and dull and because his female counterparts are the scene-stealers. And then there's Berkeley Square, a film anchored by Howard which completely sinks because both actor and picture are so devoid of life...but we'll forget that one ever happened. So I hadn't any expectations going into Pygmalion, and I was pleasantly surprised watching him here because for once Howard looks as though he's actually having fun with a part.