as ELEANOR TWITCHELL
There’s a scene a little over halfway through The Pride of the Yankees where Gary Cooper’s Lou Gehrig has just one-upped Babe Ruth by promising a sick, hospitalized little boy named Billy who can’t walk (vomit) that he’ll hit not one but two home runs just for him during the World Series game (okay, whatever), because you can do anything if you work hard enough (vomit again). After hitting one home run, we all wait on the edge of our seats to see if he’ll actually be able to hit the second and fulfill his promise. Throughout all this, we see Teresa Wright’s Eleanor listening to the game on the radio, clutching a doll in one arm (WTF) with one half-clenched fist pressed against her cheek. Once Gehrig does the unthinkable and hits that second home run, everyone goes crazy, Eleanor hops up and down with her doll yelling “YAY WHOOPEE!!!” (vomit) and we cut to Gehrig’s family and friends who’ve assembled a conga line and are dancing and singing “LOU, LOU, LOU, GEHRIG, GEHRIG, GEHRIG, GEHRIG, GEHRIG.”(vomit vomit vomit) I am not fucking kidding that this scene is a real thing, and I chose to write about it in this upfront because I feel it perfectly encapsulates the essence The Pride of the Yankees as well as Wright’s performance.